Editorial


S:I.M.O.N. is an e-journal of the Vienna Wiesenthal Institute for Holocaust Studies (VWI). It appears twice a year in English and German language. S:I.M.O.N. aims at both a transnational and comparative history of the Holocaust and Jewish Studies in Central and Eastern Europe within the broader contexts of the European history of the 20th and 21st century, including its prehistory, consequences and legacies as well as the history of memory.

S:I.M.O.N. serves as a forum for discussion of various methodological approaches. The journal especially wishes to strengthen the exchange between researchers from different scientific communities and to integrate both the Jewish history and the history of the Holocaust into the different “national” narratives. It also lays a special emphasis on memory studies and the analysis of politics of memory.  S:I.M.O.N. uses a double-blind review system, which means that both the reviewer’s and the author’s identities are concealed from each other hroughout the review process.

Shoah: The journal deals with the history of the Shoah from multidisciplinary, transnational and comparative perspectives. It seeks to integrate studies on Jews as well as on other groups of victims of the Holocaust, especially on Roma, and of so far less researched regions of (East) Central and (South) Eastern Europe.

Intervention. The journal reports on research projects and their transmission into public events. It also informs about current educational and remembrance programs.

Methods. The journal serves as a forum for the discussion of methodological approaches as, for instance, the everyday history, oral history, gender history, the history of violence, anti-Semitism and racism and the theory of memory and memory politics.

DocumentatiON. The journal contributes to critical approaches on using and interpreting archival materials in the 21st century. 

Download the current issue S:I.M.O.N. 2017/2.

Articles

Download PDFThe terrible details of the tragedy of Jewry in the northern part of Transylvania, which had been annexed to Hungary after 1940, emerged even in the last months of the Second World War, when the essence and events of the genocide were known in ever wider circles. As awareness of the events first emerged, literary and artistic works were also published in Transylvania between 1945 and 1949 that depicted the cruelties of the Shoah and at the same time aimed to raise a lasting monument for the Jewish communities that had been destroyed. These early works of Holocaust remembrance made a considerable contribution to retaining the mass murder in people's consciousness and turning a young generation's awareness to the terrible heritage of Nazism later on, when, during the decades of consolidation of communism, all spheres of life were submerged in a “great silence”.

SWL-Reader

Download PDFThere is a paradox saying in contemporary Russia that a country's past cannot be predicted: the image of the Russian or Soviet past is always influenced by the interpretation of the current political situation. In order to be able to understand why Russia is once again in the smothering hold of an “unpredictable past” and why one's attitude to Stalin is still, 62 years after his death, the sole measure for a person's position on democracy and liberal values, we must take a closer look at the social conditions during the second half of the 1980s. This paper addresses that task. Its particular focus is the construction of an official state ideology from contradictory historical images by the ruling elites in contemporary Russia.

Events

Download PDFDuring the clerical-fascist Slovak State, "Tóno" Brtko, a docile and poor carpenter, is offered the possibility to 'aryanise' the small Main Street sewing accessories shop of Rozália Lautmannová. Torn between his good-natured principles and his greedy wife Evelyna, he finally agrees to take over the shop by making the deaf and senile lady believe he is her nephew arriving to help her out. Yet he then discovers that the business is bankrupt, and Ms. Lautmannová is only relying on donations from the Jewish community. While letting his wife believe he is making money from the shop, he gradually becomes a supporter of the old lady. More and more, a cordial relationship between the two evolves. When the Slovak authorities finally decide to deport the Jewish population of the small town, Tóno, in a deep conflict with himself and his values, finally opts for hiding Ms. Lautmannová – a decision which turns into tragedy. Obchod na korze won the 'Oscar' for Best Foreign Language Film in 1966. The film was presented on the occasion of a VWI-Visuals presentation on 29 January 2015 in Vienna's Admiralkino.

Zuzanna Dziuban (Hrsg.)

Mapping the ‚Forensic Turn‘: Engagements with Materialities of Mass Death in Holocaust Studies and Beyond

 

During recent decades, forensic investigation has become a standard response to the reality of mass graves resulting from genocides and various forms of political violence. From Argentina to Rwanda, from former Yugoslavia to Poland, the search for the sites of mass burial, the application of archaeological and forensic practices, and the use of advanced technologies to collect and analyse evidence have all played a major role in transforming former landscapes of violence into scenes of crime. Yet truth-finding is not the only driving force behind forensic investigations performed at the spaces marked by a difficult past: the issues of politics and justice are at stake, as are the dynamics of memory and mourning and of the future of post-conflict societies, framed through the prism of the relationships between the dead and the living. The diagnoses of the ‘forensic turn’ therefore open up a complex terrain shaped by the interplay of scientific protocols, political interest, ethical sensitivities, and materialities of mass death – bringing about a proliferation of practices and counter-practices, discourses and counterdiscourses, imageries and counter-imageries. Building upon this recognition, this book asks how the turn towards forensics both as a standardized practice in the search for and identification of bodies, as a paradigm shift in remembrance and as an emergent cultural sensitivity, extends beyond the sites where forensic science operates, and transforms the fields of social and human sciences, political activism, popular imagination, and art.


Born out of debates held during the international workshop Forensic Turn in Holocaust Studies? at the Vienna Wiesenthal Institute in June 2015, this books gathers contributions investigating theoretical, methodological, political and practical implications of the ‘forensic turn’ within and well beyond the (inter)disciplinary realm of Holocaust studies.

 

Wien 2018

Erhältlich im gut sortierten Buchhandel oder direkt bei new academic press.