Bewegt Erinnern

S:I.M.O.N. Issues

S:I.M.O.N. Sections

Editorial

S:I.M.O.N. is an e-journal of the Vienna Wiesenthal Institute for Holocaust Studies (VWI). It appears twice a year in English and German language. S:I.M.O.N. aims at both a transnational and comparative history of the Holocaust and Jewish Studies in Central and Eastern Europe within the broader contexts of the European history of the 20th and 21st century, including its prehistory, consequences and legacies as well as the history of memory.

S:I.M.O.N. serves as a forum for discussion of various methodological approaches. The journal especially wishes to strengthen the exchange between researchers from different scientific communities and to integrate both the Jewish history and the history of the Holocaust into the different “national” narratives. It also lays a special emphasis on memory studies and the analysis of politics of memory. S:I.M.O.N. uses a double-blind review system, which means that both the reviewer’s and the author’s identities are concealed from each other hroughout the review process.

Shoah: The journal deals with the history of the Shoah from multidisciplinary, transnational and comparative perspectives. It seeks to integrate studies on Jews as well as on other groups of victims of the Holocaust, especially on Roma, and of so far less researched regions of (East) Central and (South) Eastern Europe.

Intervention. The journal reports on research projects and their transmission into public events. It also informs about current educational and remembrance programs.

Methods. The journal serves as a forum for the discussion of methodological approaches as, for instance, the everyday history, oral history, gender history, the history of violence, anti-Semitism and racism and the theory of memory and memory politics.

DocumentatiON. The journal contributes to critical approaches on using and interpreting archival materials in the 21st century.

Download the current issue S:I.M.O.N. 2017/2.

Articles

Kinga Frojimovics

Die Beziehung zwischen der Pester Israelitischen Gemeinde und der IKG Wien. Vom ‚Anschluß’ bis zum Beginn der Deportationen 1941

The Relations between the Jewish Community of Pest and the Israelitische Kultusgemeinde Wien (IKG) from the 'Anschluß' until the Beginning of the Deportations, 1938-1941 In 1938 the Jewish Community of Pest (PIH)] and the Israelitische Kultusgemeinde Wien were the two largest Jewish communities of Central Europe. By 1938, the two Jewish communities had cultivated strong relationships with one another for over a century. However, the nature of the relationships between the two Jewish communities had changed drastically in 1938.

As a consequence of the increasingly worsening official anti-Jewish discrimination, ties of social and legal aid had exclusively replaced any other kinds of relationships. Religious life, chiefly issues of kashrut, social aid for members of the community, as well as Emigration from Austria after the 'Anschluß', and issues concerning one’s Hungarian citizenship after the anti-Jewish legislation had been central to the mutual work of extending social and legal aid to one another.

A systematic study of the relationships between the two largest Central European Jewish communities between 1938 and 1941 will enable us to understand how these increasingly adversely influenced central institutions of Jewish life attempted to assist their members and one another during the first phase of the Holocaust. To show how the two communities collaborated and tried to help each other is crucial, since these Jewish institutions are routinely portrayed even in historical works as isolationist bodies that were utterly uninvolved and uninterested in the problems of the Jewish world in general. The study will explore how their ties between 1938 and 1941 (until the beginning of the mass deportation of Viennese Jews) influenced the behaviour of the two communities and their members both in the later phases of the Holocaust and its aftermath. The ties of legal and social aid provided a viable model as well as a context for later patterns of relationships within and also without the Jewish world.

SWL-Reader

Marianne Hirsch/Leo Spitzer

Spaziergang in der Herrengasse. Straßenfotos aus dem jüdischen Czernowitz

Czernowitz was the Habsburg Empire's „Vienna of the East“; it had a lively German-speaking Jewish community, almost all of whom were persecuted or murdered during the time of the Second World War. Yet the memory of Cernowitz lives on, passed on as it is by survivors and their descendants “like a wonderful present“ and a „relentless curse“, as noted by Aharon Appelfeld. We find evidence of old Cernowitz in historical reports, memoirs, documents and literary works. These include impressive contributions by Cernowitz-born writers.

In their lecture, Marianne Hirsch and Leo Spitzer focussed primarily on materials from family albums and collections in order to tap into the world of Jewish Cernowitz before its destruction. In particular, they analysed street photographs depicting daily life which had been taken on the city's streets before the Second World War and during the occupation by Romanian fascists and their allies from Nazi Germany. What do these ordinary and apparently opaque images tell us about the rich and diverse past? We were astonished to discover that they tell and show us a lot in that they reveal both more and less than we had expected.

Events

Zoltán Halasi

Duschehubka

This text is the penultimate chapter of Zoltán Halasi's book Út az üres éghez (Road to an Empty Sky). With this work, which was first published in Hungarian, the author created a singular memorial to Polish-Jewish culture and its destruction. Setting out from the Yiddish Holocaust poem Dos lid funm ojsgehargetn jidischen folk by Itzhak Katzenelson, Halasi records what was lost in the Shoah in the course of nineteen compelling chapters. He takes on the grab of an art historian, a literary critic and a travel guide when he reports about a wooden synagogue and the Jewish quarter in Warsaw. In the role of a German banker, he illuminates the aims of the Nazi monetary policies, as a writer of SS brochures he highlights the absurdity of racism. Depicting a Selektion in the Warsaw ghetto, he shows the grim logic of compulsive acts in catastrophic situations, draws an image of the running of the extermination camp Treblinka. The cynical words of two German policemen provide an insight into the rituals of mass executions and introduce us to the craft of murder. The final chapter is an interplay of slithers of narrative by Jewish children on the run and by those who helped and hid them that borders on the unbearable.
The chapter reproduced on the following pages has three parts: Part one is a Treblinka railway station master's report to the Polish Home Army. In the second part, a former Jewish detainee who managed to escape from the extermination camp Treblinka gives a literary treatment of his arrival at the camp. The final part consists of an inner monologue by the Treblinka extermination camp's director of administration.

The book will shortly be published in Polish at the Nisza publishing company in Warsaw. The German-speaking public was first presented with the work on December 1, 2015 at the Simon Wiesenthal Conference 2015. The German translation by Éva Zádor and Heinrich Eisterer is in progress.

Die ungarische Zwangsarbeit in Wien, in den Jahren 1944/45, deren Spuren wir im Rahmen des Projekts „BEWEGT ERINNERN“ am 27. Mai 2014 freilegen wollten, ist eine Erinnerungsgeschichte, die innerhalb der Wiener Stadtgeschichte einen „blinden Fleck“ darstellt. Die Spuren dieser wichtigen Erinnerung offenbaren sich weder in der Stadtarchitektur noch im Stadtmobiliar auf eine lesbare Art und Weise, es existieren auch keine Erinnerungsorte, die unsere Aufmerksamkeit auf diesen Inhalt oder auf diese Identität lenken würden. Für die Wienerinnen und Wiener sind es womöglich Räume, welche in anderen Stadtgeschichten eine Rolle spielen, mit der betrachteten Epoche aber nicht mehr in Verbindung gebracht werden, da sie ja auch keine erkennbaren oder deutlichen „Zeichen“ oder „Spuren“ dieser Geschichte auf der Haut tragen. Aus diesem Grund ist es wichtig, eine Geschichte, eine Erinnerung, die sehr wohl noch besteht und präsent ist, auch wenn sie in der Textur der Stadt kaum mehr zu erkennen ist, wieder in die Erinnerung zu rufen, indem man an gewissen Orten dieser Geschichte gedenkt. Durch die Gedenkfahrt wurde also eine Veränderung des Stadtbildes angestrebt, indem Erinnerungsorte hinzugefügt wurden, um ein tieferes Verständnis von Räumen zu erlangen.

Die Idee einer Bustour durch Wien im Gedenken an ungarische Zwangsarbeiterinnen und Zwangsarbeiter 1944/45 bot die Gelegenheit, unsere, im Rahmen des Lehrgangs Social Design – Arts as Urban Innovation an der Universität für Angewandte Kunst theoretisch erarbeiteten Konzepte auch praktisch umzusetzen. Die Gedenktour wurde so zu einem Versuch, durch ein tieferes Verständnis von mental und real verschütteten und vergessenen Identitäten von Räumen, die individuelle Rekonstruktion eines Stadtbildes zu bewirken, indem wir diesem neue Erinnerungsorte hinzufügten. Es ging um einen Prozess, der eine persönliche Aneignung der Stadt und ihrer Identität anregt, aber auch umsetzt.

Booklet als PDF herunterladen