Adopted in 1920, the Hungarian numerus clausus law introduced a mechanism to keep Jews out of universities by screening all applicants as to whether or not they were Jewish, either by religion or by birth. Jewish applicants were listed separately and their admission was only possible up to six per cent of all students. In her lecture, Mária Kovács challenged a number of historical legends that understate the significance of the numerus clausus law and of state-sanctioned antisemitism in the Horthy regime. It provided strong evidence to dispel the convenient legend that Hungarian antisemitism was a policy externally imposed by Nazi Germany. It demonstrated that government-sanctioned antisemitism in Hungary was a story in and of itself, a story whose beginnings had predated the rise of Nazism in Germany by over a decade. It showed how the numerus clausus law not only legitimised antisemitism as state-policy, but also served as an inspiration all throughout the interwar years for racist movements to demand further anti-Jewish quotas and legislation. Finally, the paper addressed current implications of debates over the law in Hungary’s memory war and demonstrated how apologetic accounts of the numerus clausus still serve to whitewash the Horthy regime from charges of state-sanctioned antisemitism.
Editorial
S:I.M.O.N. is an e-journal of the Vienna Wiesenthal Institute for Holocaust Studies (VWI). It appears twice a year in English and German language. S:I.M.O.N. aims at both a transnational and comparative history of the Holocaust and Jewish Studies in Central and Eastern Europe within the broader contexts of the European history of the 20th and 21st century, including its prehistory, consequences and legacies as well as the history of memory.
S:I.M.O.N. serves as a forum for discussion of various methodological approaches. The journal especially wishes to strengthen the exchange between researchers from different scientific communities and to integrate both the Jewish history and the history of the Holocaust into the different “national” narratives. It also lays a special emphasis on memory studies and the analysis of politics of memory. S:I.M.O.N. uses a double-blind review system, which means that both the reviewer’s and the author’s identities are concealed from each other hroughout the review process.
Shoah: The journal deals with the history of the Shoah from multidisciplinary, transnational and comparative perspectives. It seeks to integrate studies on Jews as well as on other groups of victims of the Holocaust, especially on Roma, and of so far less researched regions of (East) Central and (South) Eastern Europe.
Intervention. The journal reports on research projects and their transmission into public events. It also informs about current educational and remembrance programs.
Methods. The journal serves as a forum for the discussion of methodological approaches as, for instance, the everyday history, oral history, gender history, the history of violence, anti-Semitism and racism and the theory of memory and memory politics.
DocumentatiON. The journal contributes to critical approaches on using and interpreting archival materials in the 21st century.
Download the current issue S:I.M.O.N. 2017/2.
Articles
Istvan Pal Adam
Tipping the Rescuer? The Financial Aspects of the Budapest Building Managers’ Helping Activity during the Last Phase of the Second World War
My research – through a history of the Budapest building managers (in Hungarian házmester) – asks to what degree agency mattered amongst a group of ordinary Hungarians who are commonly perceived as bystanders to the Holocaust. I analyse the building managers’ wartime actions in light of their decades-long struggle for a higher salary, social appreciation and their aspiration to authority. Instead of focusing on solely the usual pre-war antisemitism, I take into consideration other factors from the interwar period, such as in this paper the tipping culture. In my PhD thesis, I claimed that the empowerment of the building managers happened as a side-effect of anti-Jewish legislation. Thanks to their social networks and key positions, these people became intermediaries between the authorities and Jewish Hungarian citizens, which gave them much wider latitude than other so-called bystanders. That is to say that an average Budapest building manager could bridge the structural holes between the ghettoised Jewish Hungarians and other elements of 1944 Hungarian society as a result of his or her social network. This article argues that the actions of so-called bystanders in general, and the relationship between Budapest building managers and Jewish Hungarians in particular, can only be understood by placing them in a longue durée. Furthermore, it suggests that it is impossible – and unhelpful – to allocate building managers to a single category such as ‘bystander’. Individual building managers both helped and hindered Jewish Hungarians, depending on circumstances, pre-existing relationships, and the particular point in time.
SWL-Reader
Irina Scherbakowa
Erinnerung versus Verdrängung am Beispiel Russland. Vom schwierigen Umgang mit der Vergangenheit
There is a paradox saying in contemporary Russia that a country's past cannot be predicted: the image of the Russian or Soviet past is always influenced by the interpretation of the current political situation. In order to be able to understand why Russia is once again in the smothering hold of an “unpredictable past” and why one's attitude to Stalin is still, 62 years after his death, the sole measure for a person's position on democracy and liberal values, we must take a closer look at the social conditions during the second half of the 1980s. This paper addresses that task. Its particular focus is the construction of an official state ideology from contradictory historical images by the ruling elites in contemporary Russia.
Events
Miloslav Szabó
Ein ‚antislowakischer' Oscar-Film? Zur Darstellung des Holocaust im tschechoslowakischen Film Obchod na korze
During the clerical-fascist Slovak State, "Tóno" Brtko, a docile and poor carpenter, is offered the possibility to 'aryanise' the small Main Street sewing accessories shop of Rozália Lautmannová. Torn between his good-natured principles and his greedy wife Evelyna, he finally agrees to take over the shop by making the deaf and senile lady believe he is her nephew arriving to help her out. Yet he then discovers that the business is bankrupt, and Ms. Lautmannová is only relying on donations from the Jewish community. While letting his wife believe he is making money from the shop, he gradually becomes a supporter of the old lady. More and more, a cordial relationship between the two evolves. When the Slovak authorities finally decide to deport the Jewish population of the small town, Tóno, in a deep conflict with himself and his values, finally opts for hiding Ms. Lautmannová – a decision which turns into tragedy. Obchod na korze won the 'Oscar' for Best Foreign Language Film in 1966. The film was presented on the occasion of a VWI-Visuals presentation on 29 January 2015 in Vienna's Admiralkino.
Mária Kovács: Disenfranchised by Law. The ‘Numerus Clausus’ in Hungary, 1920-1945
„... zu lesen, wenn alles vorüber ist“
Rita Maria Rockenbauer, Briefe 1938 –1942
Wien 2014
Partituren der Erinnerung.
Der Holocaust in der Musik
Scores of Commemoration.
The Holocaust in Music
Wien 2015
Before the Holocaust Had Its Name. Early Confrontations of the Nazi Mass Murder of the Jews
Wien 2016
Akademisches Milieu, Juden und Antisemitismus an den Universitäten Europas zwischen 1918 und 1939
Academic Milieu, Jews and Antisemitism at European Universities between 1918 and 1939
Wien 2016