Editorial


S:I.M.O.N. is an e-journal of the Vienna Wiesenthal Institute for Holocaust Studies (VWI). It appears twice a year in English and German language. S:I.M.O.N. aims at both a transnational and comparative history of the Holocaust and Jewish Studies in Central and Eastern Europe within the broader contexts of the European history of the 20th and 21st century, including its prehistory, consequences and legacies as well as the history of memory.

S:I.M.O.N. serves as a forum for discussion of various methodological approaches. The journal especially wishes to strengthen the exchange between researchers from different scientific communities and to integrate both the Jewish history and the history of the Holocaust into the different “national” narratives. It also lays a special emphasis on memory studies and the analysis of politics of memory.  S:I.M.O.N. uses a double-blind review system, which means that both the reviewer’s and the author’s identities are concealed from each other hroughout the review process.

Shoah: The journal deals with the history of the Shoah from multidisciplinary, transnational and comparative perspectives. It seeks to integrate studies on Jews as well as on other groups of victims of the Holocaust, especially on Roma, and of so far less researched regions of (East) Central and (South) Eastern Europe.

Intervention. The journal reports on research projects and their transmission into public events. It also informs about current educational and remembrance programs.

Methods. The journal serves as a forum for the discussion of methodological approaches as, for instance, the everyday history, oral history, gender history, the history of violence, anti-Semitism and racism and the theory of memory and memory politics.

DocumentatiON. The journal contributes to critical approaches on using and interpreting archival materials in the 21st century. 

Download the current issue S:I.M.O.N. 2017/2.

Articles

Download PDFThe terrible details of the tragedy of Jewry in the northern part of Transylvania, which had been annexed to Hungary after 1940, emerged even in the last months of the Second World War, when the essence and events of the genocide were known in ever wider circles. As awareness of the events first emerged, literary and artistic works were also published in Transylvania between 1945 and 1949 that depicted the cruelties of the Shoah and at the same time aimed to raise a lasting monument for the Jewish communities that had been destroyed. These early works of Holocaust remembrance made a considerable contribution to retaining the mass murder in people's consciousness and turning a young generation's awareness to the terrible heritage of Nazism later on, when, during the decades of consolidation of communism, all spheres of life were submerged in a “great silence”.

SWL-Reader

Download PDFThe network of camps that eventually covered almost all of Europe under the management of the SS was a firm component of the national socialist system of terror and defined the Nazi regime in its essence. From the British channel island Alderney to the Soviet Union and from the Baltic to Greece, there was hardly a place in the Nazi sphere of power without one form or another of such a camp. The names of the large concentration and extermination camps have today become synonyms for Nazi state terror, and are perfect metaphors of terror, dehumanisation and racist mass murder. Paradoxically, however, this development at the same time saw the erasure of the traces of those countless small camps in the system: the network that made the terror possible in the first place down to its last branch. They have been lost from Europe's cultural memory. 

Wolfgang Benz provides a systematic presentation of this knowledge, making it accessible again on the basis of the nine volume standard oeuvre on the history of Nazi concentration camps which he published together with Barbara Distel.

Events

Download PDFDuring the clerical-fascist Slovak State, "Tóno" Brtko, a docile and poor carpenter, is offered the possibility to 'aryanise' the small Main Street sewing accessories shop of Rozália Lautmannová. Torn between his good-natured principles and his greedy wife Evelyna, he finally agrees to take over the shop by making the deaf and senile lady believe he is her nephew arriving to help her out. Yet he then discovers that the business is bankrupt, and Ms. Lautmannová is only relying on donations from the Jewish community. While letting his wife believe he is making money from the shop, he gradually becomes a supporter of the old lady. More and more, a cordial relationship between the two evolves. When the Slovak authorities finally decide to deport the Jewish population of the small town, Tóno, in a deep conflict with himself and his values, finally opts for hiding Ms. Lautmannová – a decision which turns into tragedy. Obchod na korze won the 'Oscar' for Best Foreign Language Film in 1966. The film was presented on the occasion of a VWI-Visuals presentation on 29 January 2015 in Vienna's Admiralkino.

Download PDFThe circumstances of the extermination of the Hungarian Jews on the eve of the Allied victory – at a time when the secrets of Auschwitz were already known to the political elites (even in Hungary) – remain a mystery within the history of the Holocaust. In his lecture, Randolph Braham established the central elements of the questions that remain and offered an analysis. It is necessary to consider the wider context in order to see how it was possible for this unthinkable and unforeseeable catastrophe for the Jewish Hungarians to take place.

The lecture focused amongst other issues on the historical roots of the different considerations and miscalculations (even illusions) by the elites in Germany and Hungary in their desire to achieve particular political and military goals as well as on the various strategies employed by the Jewish political elites in Hungary and Slovakia (both traditional and Zionist) in their attempts to rescue their communities.